Pinwheel of Death

Dean Martin


SONGS

TERRITORIAL RESTRICTIONS
MAY APPLY TO THIS TITLE.

Writers Ray Henderson, Sam M. Lewis, Joe Young

Genres Standard

Recorded 1953

Lyrics FIVE FOOT TWO,
EYES OF BLUE,
BUT OH!
WHAT THOSE FIVE FOOT
COULD DO,
HAS ANYBODY
SEEN MY GIRL?
TURNED UP NOSE,
TURNED DOWN HOSE,
NEVER HAD
NO OTHER BEAUS.
HAS ANYBODY
SEEN MY GIRL?
NOW IF YOU RUN INTO
A FIVE FOOT TWO,
COVERED WITH FUR,
DIAMOND RINGS
AND ALL THOSE THINGS,
BETCHA' LIFE
IT ISN'T HER.
BUT COULD SHE LOVE,
COULD SHE WOO?
COULD SHE,
COULD SHE,
COULD SHE COO?
HAS ANYBODY
SEEN MY GIRL?
TERRITORIAL RESTRICTIONS
MAY APPLY TO THIS TITLE.

Writers E. Ray Goetz, Edgar Leslie, George W. Meyer

Genres Standard

Recorded 1964

Lyrics verse 1:
WHAT A BEAUTIFUL DAY
FOR A WEDDING IN MAY!
SEE THE PEOPLE
ALL STARE
AT THE LOVABLE PAIR.
SHE'S A VISION OF JOY,
HE'S THE LUCKIEST BOY.
IN HIS WEDDING ARRAY
HEAR HIM SMILINGLY SAY:

Chorus:
THE BELL'S ARE RINGING
FOR ME AND MY GAL,
THE BIRDS ARE SINGING
FOR ME AND MY GAL.
EV'RYBODY'S BEEN KNOWING
TO A WEDDING THEY'RE GOING
AND FOR WEEKS
THEY'VE BEEN SEWING,
EV'RY SUSIE AND SAL.
THEY'RE CONGREGATING
FOR ME AND MY GAL,
THE PARSON'S WAITING
FOR ME AND MY GAL.
AND SOMETIME
I'M GOIN' TO BUILD
A LITTLE HOME
FOR TWO,
FOR THREE
OR FOUR
OR MORE,
IN LOVELAND
FOR ME AND MY GAL.

verse 2:
SEE THE RELATIVES THERE
LOOKING OVER THE PAIR!
THEY CAN TELL
AT A GLANCE
IT'S A LOVING ROMANCE.
IT'S A WONDERFUL SIGHT
AS THE FAMILIES UNITE.
GEE!
IT MAKES THE BOY PROUD
AS HE SAYS TO THE CROWD:

Chorus:
THE BELL'S ARE RINGING
FOR ME AND MY GAL,
THE BIRDS ARE SINGING
FOR ME AND MY GAL.
EV'RYBODY'S BEEN KNOWING
TO A WEDDING THEY'RE GOING
AND FOR WEEKS
THEY'VE BEEN SEWING,
EV'RY SUSIE AND SAL.
THEY'RE CONGREGATING
FOR ME AND MY GAL,
THE PARSON'S WAITING
FOR ME AND MY GAL.
AND SOMETIME
I'M GOIN' TO BUILD
A LITTLE HOME
FOR TWO,
FOR THREE
OR FOUR
OR MORE,
IN LOVELAND
FOR ME AND MY GAL.
TERRITORIAL RESTRICTIONS
MAY APPLY TO THIS TITLE.

Writers Maceo Pinkard, Jack Smith, Roy Turk

Genres Standard

Recorded 1973

Lyrics GIMME A LITTLE KISS,
WILL YOU, HUH?
WHADDA YA GONNA MISS,
WILL YOU, HUH?
GOSH OH GEE,
WHY DO YOU REFUSE?
I CAN'T SEE
WHAT YOU GONNA LOSE.
GIMME A LITTLE SQUEEZE,
WILL YOU, HUH?
WHY DO YOU WANNA
MAKE ME BLUE?
I WOULDN'T SAY A WORD
IF I WERE ASKING FOR THE WORLD,
BUT WHAT'S A LITTLE KISS
BETWEEN A FELLA AND HIS GIRL?
GIMME A LITTLE KISS,
WILL YOU, HUH?
AND I'LL GIVE IT RIGHT BACK
TO YOU.
TERRITORIAL RESTRICTIONS
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Writers Jimmy Campbell, Reg Connelly, Ray Noble

Genres Standard, Ballad

Recorded 1959

Lyrics GOODNIGHT SWEETHEART,
UNTIL WE MEET TOMORROW,
GOODNIGHT SWEETHEART,
SLEEP WILL VANISH SORROW.
TEARS AND PARTING
MAY MAKE US FORLORN,
BUT WITH THE DAWN
A NEW DAY IS BORN.

GOODNIGHT SWEETHEART,
THOUGH I'M NOT BESIDE YOU,
GOODNIGHT SWEETHEART,
STILL MY LOVE WILL GUIDE YOU.
DREAMS WILL ENFOLD YOU,
IN EACH ONE I'LL HOLD YOU.
GOODNIGHT SWEETHEART,
DREAMS WILL ENFOLD YOU,
IN EACH ONE I'LL HOLD YOU,
GOODNIGHT SWEETHEART,
GOODNIGHT
Writers Dick Jennings, Hank Mills

Genres Country, Pop

Recorded 1967

Lyrics I'M PRAYING FOR RAIN IN CALIFORNIA
SO THE GRAPES CAN GROW
AND THEY CAN MAKE MORE WINE,
AN' I'M SITTING IN A HONKY
IN CHICAGO,
WITH A BROKEN HEART
AND A WOMAN ON MY MIND.

I MATCH THE MAN BEHIND THE BAR
FOR THE JUKEBOX
AND THE MUSIC TAKES ME BACK
TO TENNESSEE,
WHEN THEY ASK:
WHO'S THE FOOL
IN THE CORNER CRYING?
I SAY LITTLE OLE WINE DRINKER, ME.

I CAME HERE LAST WEEK
FROM DOWN IN NASHVILLE,
'CAUSE MY BABY LEFT
FOR FLORIDA ON A TRAIN,
I THOUGHT I'D GET A JOB
AND JUST FORGET HER,
BUT IN CHICAGO
A BROKEN HEART IS STILL THE SAME.

I MATCH THE MAN BEHIND THE BAR
FOR THE JUKEBOX
AND THE MUSIC TAKES ME BACK
TO TENNESSEE,
WHEN THEY ASK:
WHO'S THE FOOL
IN THE CORNER CRYING?
I SAY LITTLE OLE WINE DRINKER, ME.
TERRITORIAL RESTRICTIONS
MAY APPLY TO THIS TITLE.

Writers Irving Kahal, Billy Rose, Dana Suesse

Genres Standard, Ballad

Recorded 1947

Lyrics THE NIGHT IS YOUNG
AND YOU'RE SO BEAUTIFUL,
HERE AMONG THE SHADOWS,
BEAUTIFUL LADY,
OPEN YOUR HEART.
THE SCENE IS SET,
THE BREEZES SING OF IT,
CAN'T YOU GET
INTO THE SWING OF IT,
LADY, WHEN DO WE START?
WHEN THE LADY IS KISSABLE
AND THE EVENING IS COOL,
ANY DREAM IS PERMISSIBLE
IN THE HEART OF A FOOL.
THE MOON IS HIGH
AND YOU'RE SO GLAMOROUS,
AND IF I SEEM OVER-AMOROUS,
LADY, WHAT CAN I DO?
THE NIGHT IS YOUNG
AND I'M IN LOVE WITH YOU.
TERRITORIAL RESTRICTIONS
MAY APPLY TO THIS TITLE.

Writers Alfred Bryan, Fred Fisher

Genres Standard, Ballad

Recorded 1959

Lyrics OH! MY HEART'S IN A WHIRL
OVER ONE LITTLE GIRL,
I LOVE HER ,
YES, I DO!
ALTHOUGH HER HEART
IS FAR AWAY,
I HOPE TO MAKE HER MINE
SOME DAY.
EVERY BEAUTIFUL ROSE,
EVERY VIOLET KNOWS,
I LOVE HER.
I LOVE HER FOND AND TRUE
AND HER HEART FONDLY SIGHS,
AS I SING TO HER EYES,
HER EYES OF BLUE,
SWEET EYES OF BLUE,
MY DARLING!

PEG O' MY HEART,
I LOVE YOU,
WE'LL NEVER PART
I LOVE YOU.
DEAR LITTLE GIRL,
SWEET LITTLE GIRL,
SWEETER THAN THE ROSE OF ERIN,
ARE YOUR WINNING SMILES
ENDEARING.
PEG O' MY HEART,
YOUR GLANCES,
WITH IRISH ART
ENTRANCES.
COME, BE MY OWN,
COME, MAKE YOUR HOME
IN MY HEART.
TERRITORIAL RESTRICTIONS
MAY APPLY TO THIS TITLE.

Writers Tony Jackson, Gus Kahn, Egbert Van Alstyne

Genres Standard

Recorded 1996

Lyrics YOU ASK ME WHY
I'M ALWAYS TEASING YOU,
YOU HATE TO HAVE ME CALL YOU
PRETTY BABY
I REALLY THOUGHT
THAT I WAS PLEASING YOU,
FOR YOU'RE JUST A BABY TO ME.
YOUR CUNNING LITTLE DIMPLES
AND YOUR BABY STARE,
YOUR BABY TALK
AND BABY WALK AND CURLY HAIR
YOUR BABY SMILE
MAKES LIFE WORTH WHILE,
YOU'RE JUST AS SWEET
AS YOU CAN BE.
YOUR MOTHER SAYS
YOU WERE THE CUTEST KID
NO WONDER, DEARIE,
THAT I'M WILD ABOUT YOU,
AND ALL THE CUNNING THINGS
YOU SAID AND DID.
WHY, I LOVE TO FONDLY RECALL,
AND JUST LIKE PETER PAN,
IT SEEMS YOU'LL ALWAYS BE
THE SAME SWEET,
CUNNING, LITTLE BABY
DEAR TO ME.
AND THAT IS WHY I'M SURE
THAT I WILL ALWAYS LOVE YOU
BEST OF ALL.

EVERYBODY LOVES A BABY,
THAT'S WHY I'M IN LOVE WITH YOU,
PRETTY BABY,
PRETTY BABY
AND I'D LIKE TO BE YOUR SISTER, BROTHER,
DAD AND MOTHER TOO,
PRETTY BABY,
PRETTY BABY..
WON'T YOU COME AND LET ME
ROCK YOU IN MY CRADLE OF LOVE,
AND WE'LL CUDDLE ALL THE TIME..
OH! I WANT A LOVIN' BABY
AND IT MIGHT AS WELL BE YOU,
PRETTY BABY OF MINE.
TERRITORIAL RESTRICTIONS
MAY APPLY TO THIS TITLE.

Writers Joseph R. Alden, Raymond B. Egan, Ange Lorenzo, Richard A. Whiting

Genres Standard

Recorded 1957

Lyrics verse 1:
WOULDN'T IT BE
A CHANGE FOR YOU
AND ME
TO STAY AT HOME
ONCE IN A WHILE?
WE CABARET
UNTIL THE BREAK
OF DAY,
I'LL BET WE'VE DANCED
MANY A MILE.
I'D LIKE TO SEE
A MOVIE ONCE MORE,
THEY DON'T KEEP PEOPLE
STAYING UP UNTIL FOUR.
WOULDN'T IT BE
A PLEASANT NOVELTY
TO TUMBLE IN
EARLY ONCE MORE?

Chorus:
SLEEPY TIME GAL,
YOU'RE TURNING
NIGHT INTO DAY.
SLEEPY TIME GAL,
YOU'VE DANCED
THE EVENING AWAY.
BEFORE EACH SILVERY STAR
FADES OUT OF SIGHT,
PLEASE GIVE ME
ONE LITTLE KISS,
THEN LET US WHISPER
GOOD NIGHT.
IT'S GETTING LATE
AND, DEAR,
YOUR PILLOW'S WAITING
SLEEPY TIME GAL,
WHEN ALL YOUR DANCING
IS THROUGH,
SLEEPY TIME GAL,
I'LL FIND A COTTAGE
FOR YOU.
YOU'LL LEARN TO COOK
AND TO SEW,
WHAT'S MORE
YOU'LL LOVE IT,
I KNOW.
WHEN YOU'RE
A STAY-AT-HOME,
PLAY-AT-HOME,
EIGHT-O'CLOCK,
SLEEPY TIME GAL.

verse 2:
WOULDN'T IT BE
A PLEASANT SIGHT
TO SEE A KITCHENETTE
ONLY FOR YOU?
WOULDN'T IT BE
A PLEASANT SIGHT
TO SEE A TABLE
SET FOR TWO?
I'LL GET A BIG VICTROLA
AND THEN,
WE'LL START IN DANCING
EVERY NEW DANCE AGAIN.
THEN IT WILL BE
A PLEASANT NOVELTY
TO TUMBLE IN
ABOUT TEN.

Chorus:
SLEEPY TIME GAL,
YOU'RE TURNING
NIGHT INTO DAY.
SLEEPY TIME GAL,
YOU'VE DANCED
THE EVENING AWAY.
BEFORE EACH SILVERY STAR
FADES OUT OF SIGHT,
PLEASE GIVE ME
ONE LITTLE KISS,
THEN LET US WHISPER
GOOD NIGHT.
IT'S GETTING LATE
AND, DEAR,
YOUR PILLOW'S WAITING
SLEEPY TIME GAL,
WHEN ALL YOUR
DANCING IS THROUGH,
SLEEPY TIME GAL,
I'LL FIND
A COTTAGE FOR YOU.
YOU'LL LEARN TO COOK
AND TO SEW,
WHAT'S MORE
YOU'LL LOVE IT,
I KNOW.
WHEN YOU'RE
A STAY-AT-HOME,
PLAY-AT-HOME,
EIGHT-O'CLOCK,
SLEEPY TIME GAL.